We Need to Talk About Kevin - Wikipedia
Where We Need To Talk About Kevin goes awry is Kevin himself, whose Their relationship, in the end, is characterized by a tragic intimacy. Claire said: I think We need to talk about Kevin is a great book for discussion, there are Or did he just want Eva to suffer even further by leaving her alive? .. I think answering the questions about Kevin and his mum's relationship is difficult . "You are leaving, my darling boy. Director Lynne Ramsay's new film, We Need to Talk About Kevin, returns again and again to Phillips's song as it examines the relationship between Eva Khatchadourian (Tilda Swinton) and.
Kevin, then, is a one-off. Was he born bad?
We need to talk about men, not Kevin
Or is his behaviour the product of unsatisfactory parenting? Some have been happy to see the film as inviting cinemagoers to wrestle with this dilemma. According to Shriver, readers of the book tend to plump for one or other of these analyses, and she's content to let them. Yet this isn't really good enough. These days, we're too civilised to buy the idea of innate evil without specific diabolic inspiration, as provided, say, in The Omen.
We consider maternal affection deficit regrettable, but we know it doesn't turn its victims into psychotics. So the supposed antithesis between these notions just isn't sufficient to be what's keeping us gripped. Director Lynne Ramsay accepts that " You're compelled to know the reasons " why Kevin does what he does, but declines to apologise for neglecting to read the riddle. She says she wasn't making "an issue-based film"; it's supposed to be just "psychological horror".
Yet if this is a mere horror film, it isn't a very good one. The randomised chronology removes any element of suspense, while the relentless grand guignol symbolism would embarrass the genre's journeymen.
If it's neither a cheap scarer nor a harrowing slice of life, perhaps it's being taken as a kind of lurid parable. Some seem to view Eva as an icon of the martyred middle-class mother, stripped of her identity by a sprog who dares to defy her requirements.
If that's the way this film takes you, fair enough.
For my money however, it conveys a slightly different text for our times. The film concentrates on Eva, but it isn't Eva who's dictating what happens. She's at the mercy of her menfolk, who embody between them two archetypes of masculinity that loom ever larger on the big screen and elsewhere. Kevin's a sociopath, and his dad's a dope. Virtually all of the high-school rampage killers have of course been male.
We need to talk about men, not Kevin | Film | The Guardian
Violence is essentially a guy thing. Yet so are Kevin's emotional brutality, detachment from other people and unrelenting truculence.
Plot[ edit ] In the wake of a school massacre by Kevin, the 15 year old son of Franklin Plaskett and Eva Khatchadourian, Eva writes letters to Franklin. In these letters she relates the history of her relationship with her husband, and the events of Kevin's life up to the killings, and her thoughts concerning their relationship. She also reveals events that she tried to keep secret, such as when she lashed out and broke Kevin's arm in a sudden fit of rage. She is also shown visiting Kevin in prison, where they appear to have an adversarial relationship.
Kevin displays little to no affection or moral responsibility towards his family or community, seemingly regarding everyone with contempt and hatred, especially his mother, whom he antagonizes. He engages in many acts of petty sabotage from an early age, from seemingly innocent actions like spraying ink with a squirt gun on a room his mother has painstakingly wallpapered in rare maps, to possibly encouraging a girl to gouge her eczema -affected skin.
The one activity he takes any pleasure in is archery, having read Robin Hood as a child. As Kevin's behaviour worsens, Franklin defends him, convinced that his son is a healthy, normal boy and that there is a reasonable explanation for everything he does. Kevin plays the part of a loving, respectful son whenever Franklin is around, an act that Eva sees through.
This creates a rift between Eva and Franklin that never heals. Shortly before the massacre, Franklin asks for a divorce.